Go, elves!

Those of you who know all about my love for elves will appreciate why I’m linking to this.

Need I say more?

Actually, I probably do.  Those of you who are not uber-geeks may not realize that it’s trendy within fantasy writer circles (and uber-geek circles) to look down your noses at any fiction containing the “e-word” as a blatant Tolkien rip-off.  Because Tolkien invented the word elf, right?  (Well, no, he didn’t, but never mind that.)  This whole anti-elf-snobbery irritates me to no end, especially since I’m trying to write an epic fantasy series with elves in it, which I don’t think is a Tolkien rip-off, and it would be nice if someone paid me money for it one of these days.

What makes it even more irritating is that it’s apparently perfectly acceptable to have a physically attractive species of mystical long-lived hominids in your short story or novel, as long as you don’t call them elves.  They can even have pointy ears.  It’s just the word that pushes people’s buttons.  Seriously.  I have a short story that I’ve been trying to sell, in which one of the characters is an elf, and although it hasn’t been accepted, I have yet to receive any negative feedback from editors on that character’s obvious elfness.  Because in that story, I changed the name of his species.  I won’t tell you what I changed it to, but it still sounds a lot like elf.  Whereas when I do use the word elf in other short stories set in the same world (featuring the same elves), any feedback from editors tends to include disparaging comments about the elfness of those characters.

I insist on using the word elf in some of my stories (and in my novel), despite obvious reasons not to do so, because I’m writing about cultures where humans have interacted with this other species for thousands of years.  If there were a real world where that were the case, I think the humans who had the most interaction would use a word that felt familiar to them.  “Elf” is the closest familiar English word to the type of alien people I’m trying to describe.  That’s why I use it.  (The story in which I used a different word has a human protagonist from a culture that hasn’t interacted with these folk nearly as much, so they seem more alien and weird to her; hence I decided it made sense to use an invented word instead of a familiar English word.)

Anyway, go read the article I linked to on the Black Gate blog (and thanks to Donald for bringing it to my attention).

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Courtney Schafer’s “The Whitefire Crossing”

I recently finished reading the first novel by new author Courtney Schafer:  The Whitefire Crossing.  It was one of the free books I got at last year’s World Fantasy convention in San Diego.  I definitely recommend it, if you enjoy epic fantasy.  The plot is tight and suspenseful, the main characters are interesting, and the secondary world in which the story takes place is one you want to learn more about.  The premise is that a young smuggler named Dev takes on a dangerous job, trying to smuggle a runaway apprentice mage into a neighboring country, while being pursued by the apprentice’s furious master.  It ends on a not-quite-cliffhanger, where there’s a pause in the action but it’s also clear that Dev’s story isn’t finished.  But the back cover of the book does warn that it’s “Book I of The Shattered Sigil“, so that’s okay.  I definitely want to read Book II, to find out what happens next.

While I did think the book was excellent, it did have a couple of flaws.  We’re told over and over (and over, and over) about Dev’s motivation for accepting such a dangerous assignment:  he needs the money to keep the daughter of his deceased mentor out of slavery.  But I thought this could have been shown more effectively, perhaps by drawing more parallels between the young girl in danger and Dev’s former lover, who was sold into slavery at a similar age (not in a creepy way; just in the sense of him not wanting the same thing to happen to his mentor’s daughter).  Also, the villains are cartoonishly evil, and I tend to prefer stories that explore the complexity of what makes someone evil (or good, or in-between).  But the characterization of the two protagonists (Dev, and the young apprentice Kiran) was complex and interesting enough that I could overlook those flaws, and the author used the alternating viewpoints very effectively to tell the two halves of the story.  As an author myself, I was definitely paying attention what Shafer was doing there; also to how skillfully she handed the unfolding of the plot and the building of dramatic tension.

The cover, by David Palumbo, is also excellent, and is one of the reasons I chose to read this book over the half dozen other new 2011 novels I got for free at World Fantasy.  Not just because it was pretty, but also because it signalled pretty clearly what sort of book this was, and all other things being equal I’ll usually choose the epic fantasy novel first.  But the fact that the cover was attractive and professional-looking certainly didn’t hurt, nor did the fact that the book was published by Night Shade Books, one of the best-reputed medium-sized publishers of fantasy.  (These are all things that I think about as I write my own novel, and listen to the debates about self-publishing vs. traditional publishing.)  Though on the other hand, a few years ago I read a free-from-World-Fantasy novel published by Penguin, with a cover by a much more famous artist, and that book was awful.  (I’m not going to say which book it was, since my motivation in discussing books on my blog is to recommend books that I think people should read, not slag other hardworking authors.)

It’s good to see epic fantasy being written by other women, too.  I don’t particularly seek out the work of other women writers; I read whatever interests me, no matter who wrote it.  But most of the big name authors in the field tend to be men, so it’s encouraging to see other women writing great fantasy novels and getting them published by major houses.

If you’re a writer, Courtney Shafer’s website also has some excellent, candid information about the process of finding an agent and getting published, so be sure to check that out!

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Boskone 2012

Donald and I went to Boskone in February, over a month ago, and I’m so woefully behind on my blogging that I haven’t mentioned it yet.

Boskone is Boston’s other annual science fiction convention.  Arisia is much bigger, and a lot more people show up in costume.  Besides books, there are also movies, and gaming, and fan lifestyle panels, and panels to discuss TV shows.  Boskone is pretty much just books and an art show (okay, there’s some gaming and filk, too).

Since I’m more interested in the books than in any other corner of the science fiction and fantasy universe, I’ve usually enjoyed the scheduled programming more at Boskone than at Arisia.  This year was an unusual exception.  Arisia is doing a better and better job of putting together a great literary program, and I found that there weren’t as many panels at Boskone this year that I was really excited about.  Of course, panels during the day are only a small part of a science fiction convention.  I usually go more for what I sometimes euphemistically refer to as “networking”, but is really just sitting around drinking with friends.  (Although my theory is that effective networking probably should consist mostly of socializing with people in your chosen field with whom you have common interests and whom you like, unless you want to be a tiresome bore who never stops promoting their own work and can’t be bothered being nice to anyone who can’t help advance their career.  But I digress.)

Boskone was from February 17th to 19th, the Friday through Sunday of President’s Day weekend.  Things got underway at 5:00 pm on Friday, and mostly finished up by 4:00 pm on Sunday.  Here’s a list of the panels I went to (Donald also went to most of them):

How to Read Aloud
If you’re a writer, sometimes you have the opportunity to read your work aloud at a convention. Donald and I both feel we need all the advice we can get on this. We became writers so we wouldn’t have to talk to people in order to communicate. I thought the panel had some useful bits of advice about focusing your voice in different parts of your head and chest in order to differentiate character voices, though I’m not sure if I could actually keep this up for an entire reading. I didn’t find the exercises where they made the audience members stand up and try using their voices in different ways to be all that helpful, but that might just be because I don’t like going along with what everyone else is doing in public. I do think those sorts of exercises are probably more useful when it’s just you and a voice coach working together, though, because you can’t even really hear what you sound like when everyone else in the room is trying to make the same noise at the same time.

How Much Steam Is There in Steampunk?
Neither Donald nor I is really all that into steampunk (vaguely Victorian era or themed fantasy and/or science fiction, for the uninitiated. Although Donald has written a short story (as yet, unpublished) that could be considered steampunk. But Margaret Ronald from my writers group was on this panel, and also Stephen Segal, whom I know from other cons, so I wanted to go and hear what they had to say. (Maggie has written a bunch of steampunkish short stories that I really like, despite saying I’m not a big steampunk fan.) It was an interesting panel, though I’m still not convinced that the recent Scorcese film Hugo counts as steampunk just because it has an automaton and a lot of gears.

How Not to Produce An E-Book
Like many authors, Donald and I have self-published reprints of our own stories in Kindle format. Also, given the direction in which book publishing seems to be headed, I at least wonder whether at some point in the near future the only viable option for publishing a book will be self-publishing. So we hoped we might learn some tips about the e-book side of things. Unfortunately, I found the panel too advanced and technical to be of much use to me, but I think that’s my fault, not the panelists’. There’s a reason I’m using a standard WordPress theme for my blog and website instead of desigining my own.

Misuse of Weapons in Movies and on TV
Donald wanted to go to this one more than I did, but it turned out to be pretty entertaining. Some people from the Higgins Armory presented this, with video clips from Dr. Who, Star Wars, and The Princess Bride, among others. The only problem was that the lights in the room needed to be turned down low in order to see the video clips properly, and every time the door of the room opened, the lights would go back up. If you’ve ever been to a panel at a science fiction convention, you’ll know that people don’t put a high value on punctuality, and are constantly walking in late. If it were me running the panel, I would have stationed someone outside the door and not allowed any of the latecomers into the room, once it became clear that they were ruining the presentation for everyone else. But maybe that’s why people don’t let me run things.

Discarded Images: Astronomical Ideas That Were Almost Correct
This was a solo talk by planetary scientist Guy Consolmagno of the Vatican Observatory, discussing earlier theories about the solar system and universe, what assumptions the scientists and philosophers who came up with them made, and why they were wrong. Very interesting and informative, and often humorous.

Importance of Book Covers
This was another panel that Donald and I thought might be useful for any self-publishing we might need to do, but it turned out to be more about showing the recent cover art of some famous fantasy and science fiction artists whom we could never afford to hire, and giving them a chance to discuss how various covers developed from initial concept to final image. I thought it was still pretty interesting, though.

How Not to Lose the Plot
Donald wasn’t as interested in this one, so I went by myself. I think plotting is one of my weaknesses as an author. I have a tendency to make things happen for reasons of plot convenience, sometimes having the characters ignore really obvious issues or problems in the process. I don’t think I learned any helpful tips about how to not do this, though. But the panel was entertaining.

Surviving the Apocalypse
Another panel Donald wasn’t interested in. He went to What Every Dog Should Know About Quantum Physics instead, because he did his PhD in that area, and one of his pet peeves is misuse of quantum mechanics by science fiction and fantasy authors (especially the ever-popular multiple worlds theory). Apparently, the guy presenting the panel made reference to some of Donald’s PhD work, so that was cool. The apocalypse panel was all right, but not what I’d expected. I’d been hoping to learn about useful resources for authors of apocalyptic fiction, not useful tips for surviving an actual apocalypse.

It wasn’t all panels, of course. We went out for the annual Legal Sea Foods dinner with other members of the Brotherhood Without Banners (George R. R. Martin fan club), and stayed up at parties on Friday and Saturday nights later than Donald wanted and not as late as I wanted. Of course, the advantage of staying at the hotel for a con rather than driving back and forth each day is that we don’t both have to leave at the same time. But that gets really expensive, so we don’t do that for local conventions. At parties and elsewhere, we also ran into most of the members of my writers group, BRAWL, various local friends who are into science fiction, and out of town friends like former Worldcon chair Rene Walling and my Clarion West classmate Jim Stewart.

I did think that Boskone this year had better parties than Arisia, but that may have been because I knew a higher percentage of the people there.  But, like I said, I was less impressed by the panels.  Which was surprising, because in the past, I’ve often liked the programming at Boskone better than that at any other convention, including Worldcon and World Fantasy.  I’m not sure if it was me, or the programming, that was different this year.

One thing that I continued from Arisia was my new habit of crocheting during panels.  I found that I can still pay attention while my hands are occupied, and I’m less likely to be annoyed if the panel gets boring for a while.  I finished the scarf I’d been working on for a while.  This is very exciting for me, because it’s the first crocheted item I’ve actually finished.  Here’s a picture:

I’ve read that it gets less curly once you wash it and dry it flat. But I haven’t done that yet, because the label on the yarn says I’m supposed to use this special soap that I haven’t gotten around to buying. I’m also finding that I tend to make the foundation chain too tight, so one edge of the fabric ends up noticeably shorter than the other. Hopefully I’ll get over this habit with practice.

Here’s another view, so you can see the fringe at the end. Each end has a fringe like this. They need to be trimmed, though.

Here you can see the fringe

That scarf was made using all single crochet, which is the first stitch you learn. I think it’s supposed to be the easiest, but it’s smaller and tighter, and it takes much more time to produce a given area of fabric. For my next project, I’m going to make something with double crochet. So now I’m learning the double crochet stitch and making a test swatch, to see if I should use the hook size recommended by the pattern, or something larger or smaller.

My next project

Our next con will be Readercon in July, here in Massachusetts again.  I look forward to catching up with friends, meeting new people, finding out about interesting new books, and, of course, getting some work done on my new green scarf.

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On Spec

My story “The Observation Deck” came out not too long ago in On Spec, “the Canadian magazine of the fantastic”, and I recently finished reading the issue that has my story in it (Fall 2011, though I didn’t receive it until 2012).  My favorite story in the magazine was Megan Fennell’s “Hexenhaus”, which picks up the story of Hansel and Gretel after they’ve defeated the witch.  I also liked a story by Scott H. Andrews (the editor of Beneath Ceaseless Skies), “The Halberdier, by Moonlight”.

The cover is very pretty, a sort of Asian-inspired steampunk illustration by featured artist James Ng.  There’s more of Ng’s art inside, also very cool, especially “Imperial Sheriff”.  Though I wondered if the originals of the interior pictures, reproduced in the magazine in black and white, are actually color paintings (like the cover), as they seemed quite dark, and often lacking in contrast.

On Spec tends to publish a pretty diverse selection of fiction:  this issue had more fantasy, but 3 of the 9 stories (including mine) could be considered science fiction (two futuristic, one steampunk).  The fantasy stories ranged from magic realism to high fantasy to historical fantasy.

The only negative note:  although they did get it right inside the magazine, my name is spelled wrong on the cover.

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Aoife’s Kiss

I recently finished reading my contributor’s copy of Aoife’s Kiss, which features my story “The Kiss of the Blood-Red Pomegranate”.  My favorite story was Rachel Zakuta’s “Memory of Snow”, an urban fantasy retelling of Hans Christian Andersen’s fairy tale “The Snow Queen”.  I’ve always found “The Snow Queen” the most compelling of Andersen’s stories, and I thought Zakuta’s version worked both as an homage and as its own story, with Gerda having to rescue her younger brother from under the spell of their magically-gifted mother in Canada.

Aoife’s Kiss also published poetry.  I’m not sure I read enough poetry to be a good judge, but I loved V. Shirley Valencia’s poem “The Stray They Brought Inside”, printed on the back cover of the magazine.  It’s a beautifully written poem, the speculative element both subtle and integral to the piece.

I also enjoyed  “Wolves”, by Laura DeHaan, a retelling of “Little Red Riding Hood” with a clever twist; and Chris Ward’s “Happy Shopping”, a satirical science fiction piece about the future of consumerism (you can read Chris Ward’s story and V. Shirley Valencia’s poem for free at the Aoife’s Kiss website).

I really like the diversity of fiction Aoife’s Kiss publishes, everything from steampunk to historical romantic fantasy, to hard science fiction.  They have great cover art, too, this month’s by April Bullard.

Aoife’s Kiss is also the only magazine that both Donald and I have appeared in, so far.  Donald’s story “A Stranger in the Library” appeared back in Issue 23, December 2007.

The magazine comes out in print four times a year, in March, June, September, and December.

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Seriously, Mollie Katzen?

So, yesterday I made Lasagna al Pesto from Mollie Katzen’s cookbook The New Enchanted Broccoli Forest.  (The “new” part means it’s a re-issue of the original Enchanted Broccoli Forest, not that it’s about an enchanted broccoli forest only recently discovered.)  One step calls for finely mincing a pound of raw spinach.  I don’t know if you’ve ever seen a pound of raw spinach on a cutting board, unconfined by the plastic bag it came in.  It’s a lot.  I had to work on half a pound at a time, since my cutting board wasn’t large enough to accomodate it all.  And I think I gave up somewhere around “finely chopped”, which consists of significantly larger pieces than “minced”.

Is this small enough?

Even that took a long time. 15 or 20 minutes of chopping, easily, alternating between chef’s knife and cleaver. My shoulder is still a bit stiff.

I also made the green lasagna noodles the recipe called for from scratch, because I couldn’t find any at the grocery store. It was kind of a pain, but I’m a bit of a kitchen masochist (earlier this week, I made coconut milk from an actual coconut). I used the recipe in The Bread Lover’s Bread Machine Cookbook (Beth Hensperger).  You can make a lot of stuff besides bread in a bread machine; this particular cookbook also has recipes for jam.  I thought it worked pretty well.  Rolling out the dough was a bit of a pain, as I don’t have a pasta machine and had to do it by hand.  But it was easier than I remembered from the last time I tried making homemade pasta, when I was a teenager.  I don’t know if it’s because the recipe I used this time was better, or because my arms are stronger now.

A sheet of spinach lasagna noodle drying on the counter

I didn’t bother cutting the pasta into lasagna strips, since I would have had to re-assemble them into sheets in the pan, anyway.  Though I did have some strips, because I didn’t realize the pasta recipe would only make enough for one batch of lasagna, so then I had to trim bits of the edges of the 3 sheets I rolled out to re-assemble into a 4th sheet in the baking dish.

I thought the homemade pasta was good, though not quite as amazing and wonderful as I’d hoped, after all that work. I did like it better than dry noodles, but it didn’t have the light, tender texture of really good fresh pasta. It was a bit doughy. I might have rolled it out too thick, or it might just be the recipe, which called for all-purpose flour instead of semolina.

The lasagna used up the last of my vegetable CSA produce, finally. I’d made massive amounts of pesto during the height of basil season, since we were getting an enormous bunch of fresh basil each week, and stashed it away in the freezer. This was the last container.

I didn’t take a picture of the final lasagna, because I’d made it for a potluck we were hosting, and by the time it came out of the oven, people were already here.  Donald thought it was good, for a vegetarian dish.  Other people seemed to like it well enough, too, since there was only a little bit left over.

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Today’s wordcount

3300 words of novel written today!  I think 3800 words is my all-time record thus far, so I’m feeling pretty cheerful right now.  Of course, I don’t know how many of those words will end up staying in the final draft, and I think there are probably too many pixels devoted to characters worrying about what’s happening, telling each other important information that the reader needs to know, and too much about the wheelbarrow.  But, we’ll see.  It’s better than spending all my time on Wikipedia reading about ancient Roman swear words.

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Top Ten Ways I Procrastinate from Writing

Some writing sessions are productive.  Words flow from my fingertips onto the computer screen as quickly as I can think of them, and there’s nothing I’d rather be doing.  Other times … not so much.  Here are some of my favorite ways to procrastinate (number 3 was most apt, today).

 

10.  Re-reading favorite parts of books I liked.

9.  Catching up on e-mail.

8.  Trying to get the armrests and seat height on my office chair just right.

7.  Filing my nails.

6.  Inventing complex back stories for secondary and tertiary characters who will probably be cut out of the final draft anyway.

5.  Facebook.

4.  Reading humorous articles my husband e-mailed links to, then following links on those pages to articles that are less and less funny, until 45 minutes have gone by and I’m watching a YouTube video that isn’t funny at all, wondering how I got to this point.

3.  Research, research, and more research!  (“How can I possibly start writing a near-future science fiction story without learning everything Wikipedia can tell me about climate change, population trends, and peak oil?”)

2.  Reading cookbooks.  (I’m not sure how many writers share this one, but for me it fills the role that for others is often filled by television:  entertainment that doesn’t require too much attention or engagement.)

1.  Extra-long showers (“I’m clean now, but once I get out of the shower I’ll actually have to go work on that story.”)

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Snarky writing advice

From Nick Mamatas, ten bits of advice writers should stop giving aspiring writers.

Though I wonder if it would be better to rephrase this as “Ten Bits of Advice Aspiring Writers Should Stop Listening To.”  I’ve received a lot of the advice on the list.  Some of it has been helpful, some of it hasn’t.  My advice is to ignore any advice that you think is wrong (including this).

The comments thread for the article is also worth reading.  One point that comes up is that too much advice about the mechanics of writing (write likeable characters, don’t use adverbs, don’t use verbs other than “said” for dialogue, show don’t tell, go through and trim 10% off the wordcount once you think you’re done–that last one is one of my writerly advice pet peeves) can lead writers to produce stories that are adequate, but not very distinctive.  The best thing for your writing career isn’t necessarily to quash your individual voice and end up writing stories that are just like everyone else’s.

Mamatas’s bottom line is that the only generally applicable advice for writers is:  “Write something publishable, attempt many times to get it published.”

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“Looking-Glass Milk” now available in Kindle edition

My science fiction story “Looking-Glass Milk” is now available to read on your Kindle or Kindle app.  This originally came out in 2009 from Scribblers & Ink Spillers as part of the Crystal Codices collection, but it’s out of print now, and I thought I’d re-issue it.

The goal right now is to make sure that people are able to read all my published stories.  I probably won’t re-issue stories that are still available to read for free on the internet, since I want to encourage you to visit e-zines that have supported me by buying my fiction.  But for stories that came out in print, in magazines that are difficult and/or expensive to obtain, re-publishing old stories with Amazon seemed like a good way to make them more readily available.

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